Looking at Art

Bottle Gourds, 1930–1957, by Qi Baishi (1863-1957). Hanging scroll; ink and colors on paper. The Avery Brundage Collection, B69D15.

The Bodhisattva Avalokiteshvara, approx. 900–1000. India; perhaps Nalanda, Bihar state. Stone. The Avery Brundage Collection, B63S44+.

The Bodhisattva Avalokiteshvara (Chinese: Guanyin). China; Tang dynasty (618–906). Gilt bronze. The Avery Brundage Collection, B60B795.

Bhima (Bima), second of the Pandava (Pandawa) brothers, approx. 1960. Indonesia; West Java. Wood, cloth, and mixed media. From the Mimi and John Herbert Collection, F2000.86.157.

Explore the ancient kingdom of Angkor, which was one of the most powerful states in Southeast Asia from the 800s to the 1300s. A succession of kings built huge temples that remain in Cambodia today as some of the world’s greatest religious monuments.

The central cave at Longmen, built in the late 600s, vividly asserts the union of the concept of Buddha as universal sovereign with the concept of the emperor (or empress) as the living representation on earth of that principal.

The religious fervor and opulence of the Goryeo dynasty (918-1392) can be seen in the intricately hand-copied sutras (the teachings of the Buddha) that date to this period. Korean monk-scribes were commissioned by royals, aristocrats, and individual high-ranking monks to write the sacred words of the Buddha by applying pigments of ground gold and silver to deep indigo–dyed mulberry paper. They began by pictorially narrating the sermons of the Buddha with key episodes within the sutra chapter on the frontispiece (first four sutra panels). The rest of the sutra comprised flowing calligraphy translating the Buddha’s teachings.

A demon (buta), 1993, by Duyeh. Indonesia; Cibiru, West Java. Wood, cloth, and mixed media. From the Mimi and John Herbert Collection, F2000.86.121.