Video
Art Speak, Identity, and Place
Asian Art Museum Art Speak teaching artist, Adrienne Skye Roberts, discusses the inspiration behind her work with the Art Speak interns and her own art.
Video
Asian Art Museum Art Speak teaching artist, Adrienne Skye Roberts, discusses the inspiration behind her work with the Art Speak interns and her own art.
Video
Digitized from VHS, this video re-tells a popular Korean folktale using a painted Korean screen from the collection of the Asian Art Museum.
Artwork
Large plate with map of Japan, 1800-1868. Japan; Arita region, Saga prefecture. Porcelain with cobalt decoration. The Avery Brundage Collection, B72P1.
Artwork
Lamp China. China; Tang dynasty (618–906). Glazed earthenware. The Avery Brundage Collection, B60P535.
Video
Paul Hoover reads a poem he wrote in response to the works “Anonymity,” 2008-2011 (eight from a series of nine light boxes) by Poklong Anading and Chinese bronze mirrors (from the Asian Art Museum’s collection). These works are on view as part of the exhibition Phantoms of Asia: Contemporary Awakens the Past (on view at the Asian Art Museum from May 18–September 2, 2012). This presentation was part of MATCHA. Co-presented with Litquake.
Artwork
Krishna overcoming the serpent Kaliya, 1400–1500. India; reportedly from Sundaraperumakoil, Tanjavur district, Tamil Nadu state, former kingdom of Vijayanagara. Bronze. The Avery Brundage Collection, B65B72.
Artwork
Karasu Tengu (crowlike deity) mask, approx. 1800-1850. Japan. Netsuke; ivory with dark detail staining, inlaid metal. The Avery Brundage Collection, B70Y811.
Artwork
Kanzan (Hanshan), by Tobai (Japanese), approx. 1500-1625. Japan. Hanging scroll; ink and light colors on paper. The Avery Brundage Collection, B60D39+.a.
Background Information
Video
Justin Chin reads a poem he wrote in response to the artwork, Absence of God VII, 2008 by Raqib Shaw. This work is in the exhibition Phantoms of Asia: Contemporary Awakens the Past (on view at the Asian Art Museum from May 18 – September 2, 2012). Co-presented by Litquake.