Resources

The Urami Waterfall in Niko, Picture of Famous Places in the Sixty-odd Provinces, August, 1853, by Ando Hiroshige (Japanese, 1797 – 1858), Woodblock print; Ink and colors on paper, Gift of Japanese Prints from the Collection of Emmeline Johnson. Donated by Oliver and Elizabeth Johnson, 1994.48. Photograph © Asian Art Museum of San Francisco.

Trace the spread of Buddhism through close looking at Buddhist objects from different regions. Explore how artifacts reveal distinct local traditions as well as common ideas and motifs.

Explore this interactive map. Zoom-in on high resolution details and discover English translations of the classical Chinese text and synopsis by scholars.Explore this interactive map.

This lustrous stoneware vessel is a ewer, or pitcher, dating to the early 1100s, during Korea’s Goryeo dynasty (918–1392). It was probably used for wine, which may have been warmed by placing the ewer in a matching bowl of heated water. The ewer’s color is called celadon, which is created by a glaze that includes iron oxide. Today, connoisseurs around the world continue to treasure Goryeo celadon as among the most precious items created by Korean artisans.

Heman Chong imagines a future of dystopian stillness with Calendars (2020–2096), an installation of 1001 photos, each a calendar page capturing a moment of complete emptiness in today’s bustling areas of Singapore. View this work for yourself at the Asian Art Museum during the exhibition, Phantoms of Asia: Contemporary Awakens the Past (on view from May 18–September 2, 2012).

Dr. Sanford Tom explores Huangshan (or the Yellow Mountain), which is often considered the most beautiful as well as the strangest mountain in China.

Asian Art Museum Art Speak teaching artist, Adrienne Skye Roberts, discusses the inspiration behind her work with the Art Speak interns and her own art.

Large plate with map of Japan, 1800-1868. Japan; Arita region, Saga prefecture. Porcelain with cobalt decoration. The Avery Brundage Collection, B72P1.

Lamp China. China; Tang dynasty (618–906). Glazed earthenware. The Avery Brundage Collection, B60P535.

Paul Hoover reads a poem he wrote in response to the works “Anonymity,” 2008-2011 (eight from a series of nine light boxes) by Poklong Anading and Chinese bronze mirrors (from the Asian Art Museum’s collection). These works are on view as part of the exhibition Phantoms of Asia: Contemporary Awakens the Past (on view at the Asian Art Museum from May 18–September 2, 2012). This presentation was part of MATCHA. Co-presented with Litquake.