Artwork
The River deity Ganga
The River deity Ganga, approx. 800–900. India; Madhya Pradesh or Rajasthan state. Sandstone. The Avery Brundage Collection, B69S3.
Adjusted hours: On Thursday, May 8 we’re open 10 AM–5 PM as we prepare to host CAAMFest.
Adjusted hours: On Thursday, May 8 we’re open 10 AM–5 PM as we prepare to host CAAMFest.
Artwork
The River deity Ganga, approx. 800–900. India; Madhya Pradesh or Rajasthan state. Sandstone. The Avery Brundage Collection, B69S3.
Activity
Explore this interactive map. Zoom-in on high resolution details and discover English translations of the classical Chinese text and synopsis by scholars.Explore this interactive map.
Video
This lustrous stoneware vessel is a ewer, or pitcher, dating to the early 1100s, during Korea’s Goryeo dynasty (918–1392). It was probably used for wine, which may have been warmed by placing the ewer in a matching bowl of heated water. The ewer’s color is called celadon, which is created by a glaze that includes iron oxide. Today, connoisseurs around the world continue to treasure Goryeo celadon as among the most precious items created by Korean artisans.
Artwork
Large plate with map of Japan, 1800-1868. Japan; Arita region, Saga prefecture. Porcelain with cobalt decoration. The Avery Brundage Collection, B72P1.
Artwork
Lamp China. China; Tang dynasty (618–906). Glazed earthenware. The Avery Brundage Collection, B60P535.
Artwork
Kanzan (Hanshan), by Tobai (Japanese), approx. 1500-1625. Japan. Hanging scroll; ink and light colors on paper. The Avery Brundage Collection, B60D39+.a.
Background Information
Video
Sun Joo Kim, Harvard-Yenching Professor of Korean history in the department of East Asian languages and civilizations and Director of Korea Institute, Harvard University, gives a talk on the Joseon dynasty (1392–1910) in conjunction with the exhibition, In Grand Style: Celebrations in Korean Art During the Joseon Dynasty at the Asian Art Museum.
Video
In his most recent work, Indonesian artist Jompet Kuswidananto explores political and cultural identity, particularly around the people and history of Java. Informed by theories drawn from the field of cultural studies, he connects local history to global movements with a focus on the fragility of changing identities.
Background Information
Prior to the Edo period (1615–1868), many painters and sculptors remained anonymous, occupying relatively equal status to carpenters and other artisans. The position of the artist during the Edo period changed, as artists became more successful financially, and better educated. Some of them began to be seen as celebrities, arbiters of taste with eccentric personalities. Although many still worked for low wages in obscurity, the Edo period marks the emergence of the artist as individual, as the genius creator in Japan. Learn more.