Resources

Asian Art Museum Storyteller, Leta Busyhead, tells a story about Cyrus the Great and the Cyrus Cylinder in the Cyrus Cylinder and Ancient Persia exhibition at the Asian Art Museum (August 9–September 22, 2013).

GRAINS is an original audio-visual performance deals with expanding the sonic energy that resides in a single grain of sound. The performance explores the visual and sonic amplification of domestic food grains and their transformation into a collection of solid grains that flow like liquid as they multiply. Layering her vocals on top of the flowing grains, Surabhi Saraf weaves a rich tapestry of sounds, multiplied and fragmented, creating dynamic textures and immersive architectural soundscapes.

Farnoosh Fathi reads a poem she wrote in response to the artwork, “Untitled 1 (Peacock with Missiles),” 2010 by Adeela Suleman. This work is in the exhibition Phantoms of Asia: Contemporary Awakens the Past (on view at the Asian Art Museum from May 18–September 2, 2012). For more information: This presentation was part of MATCHA.

In Noh theatre (classical Japanese music drama), Japanese ghosts are usually upset females. Portrayed without feet because they have lost their connection to the earth, they are so filled with love, jealousy or rage that they won’t go peacefully into the night. Japanese believe ghosts are people who have died with an unpaid on — “debt” or “obligation.” If not repaid, the debt is passed down for generations, growing with each one like a snowball into an avalanche.

A conversation with artist Manuel Ocampo, moderated by assistant curator of contemporary art Dr. Karin Oen. This conversation was in conjunction with the exhibition First Look: Collecting Contemporary at the Asian at the Asian Art Museum in San Francisco from Sept. 4 through Oct. 11, 2015.

Fire procession costume, approx. 1700–1900. Japan. Silk, linen, and arrowroot (kuzu). The Avery Brundage Collection, 1991.137.

Members of the Bay Area Filipino community discuss the importance of collecting Philippine art at the Asian Art Museum.

Join influential playwright Philip Kan Gotanda to get the inside scoop on the ideas and inspirations behind his groundbreaking body of work, including his play, After the War Blues, which explores the lives of a diverse community in San Francisco’s Japantown in the aftermath of World War II. Gotanda, who teaches theater at UC Berkeley, appears in conversation with Michael Omi, associate professor of Asian American and Asian diaspora studies at UC Berkeley. To set the stage, local actors and musicians perform scenes from Gotanda’s plays. Warning: Contains explicit language.

The Bay Area’s own Ballet Afsaneh, a dynamic ensemble whose repertory focuses on Silk Road regions in Central Asia, will perform colorful, kinetic traditional dance.