Video
Hajj Stories (Bay Area): Takeaways from the Hajj
Inspired by the British Museum’s video Hajj Stories, staff at the Asian Art Museum asked Bay Area Muslims who have performed the hajj to share experiences of their journeys.
Video
Inspired by the British Museum’s video Hajj Stories, staff at the Asian Art Museum asked Bay Area Muslims who have performed the hajj to share experiences of their journeys.
Video
Inspired by the British Museum’s video Hajj Stories, staff at the Asian Art Museum asked Bay Area Muslims who have performed the hajj to share experiences of their journeys.
Video
Inspired by the British Museum’s video Hajj Stories, staff at the Asian Art Museum asked Bay Area Muslims who have performed the hajj to share experiences of their journeys.
Artwork
Guru Nanak’s meeting with Praladh, from a manuscript of the Janam Sakhi (Life Stories), 1800–1900. India or Pakistan; Punjab region. Opaque watercolors and gold on paper. Asian Art Museum, Gift of the Kapany Collection, 1998.58.26. Photograph © Asian Art Museum.
Artwork
Guru Nanak converses with Muslim clerics, from a manuscript of the Janam Sakhi (Life Stories), 1800–1900. India or Pakistan; Punjab region. Opaque watercolors on paper. Asian Art Museum, Gift of the Kapany Collection, 1998.58.22. Photograph © Asian Art Museum.
Artwork
Background Information
Video
In this video, Buddhist monk artists, Seol-min (formerly known as Jae-u) and Myung Chun discuss Korean Buddhist art and paint the Guardian King of the West, which is now in the Asian Art Museum’s collection. This video also includes footage from a symbolic “eye-opening” ceremony, which took place at the museum on December 20, 2003.
Artwork
Virudhaka (Japanese: Zochoten), Buddhist Guardian King of the South and Dhritarashtra (Japanese: Jikokuten), Buddhist Guardian King of the East. Heian Period (794-1185), approx. 950-1000. Japan. Wood and pigments. The Avery Brundage Collection, B6S318+.
Video
GRAINS is an original audio-visual performance deals with expanding the sonic energy that resides in a single grain of sound. The performance explores the visual and sonic amplification of domestic food grains and their transformation into a collection of solid grains that flow like liquid as they multiply. Layering her vocals on top of the flowing grains, Surabhi Saraf weaves a rich tapestry of sounds, multiplied and fragmented, creating dynamic textures and immersive architectural soundscapes.