Japan

An introduction to Zen, a form of Buddhism that emphasizes seeking one’s own Buddha nature through meditation.

In addition to superior strategic and military ability, most elite samurai were expected to be versed in the cultural arts. The warrior’s ideal balance of military and artistic skill is captured well in this description of the sixteenth century daimyo Hosokawa Yusai (1534–1610): “Renowned for his elegant pursuits, he is a complete man combining arts [bun] and arms [bu] . . .” Learn more.

The Buddha—that is, the “Enlightened One”—lived nearly 2500 years ago in northern India. His followers have always seen his life as a shining example to all, but what “really happened” is now impossible to know for certain. Even the earliest stories of his life include miraculous events that may seem hard to take literally. Later versions are even more elaborate, and they differ from one another in many details.

This selection of resources introduces students to the vocabulary, techniques, and values of East Asian ink painting. Lessons and background information compliment the Brushpainting: Nature in Art school program at the Asian Art Museum.

Learn about the Japanese artist Utagawa (Ando) Hiroshige (1797–1858).

Learn about the Japanese artist Katsushika Hokusai (1760-1849).

Archery practice, by Shibayama Hirotoyo (1673–1723). Japan. Edo period (1615–1868). Hanging scroll, ink and colors on silk. The Avery Brundage Collecton, B65D2.

Buddhism was officially transmitted to Japan in 552, when the monarch of the Korean kingdom of Baekje sent a mission to Japan with gifts, including an image of the Buddha, several ritual objects, and sacred texts. Buddhism’s journey from India to China, Korea, and Japan had taken about a thousand years.

“Asia” is a term invented by the Greeks and Romans, and developed by Western geographers to indicate the land mass east of the Ural Mountains and Ural River, together with offshore islands such as Japan and Java.

The earliest surviving representations of the Buddha date from hundreds of years after his death, so they are not portraits in the usual sense. Buddha images vary greatly from place to place and period to period, but they almost always show these conventional features . . .