Resources

Asian Art Museum Storyteller, Jeff Byers, tells the legend of Bokuden, a famous samurai.

A host may spend weeks planning for a tea gathering, including making decisions about which group of utensils to use. The assemblage of objects will reflect the season, complement and contrast with each other, and, ideally, create a theme or context that the host and guest will explore together during the course of the tea gathering. Learn more.

Woodblock printmaking was a complex process involving the collaboration of several people: publisher, artist, carver, and printer.

The traditions—Omotesenke, Urasenke, and Mushanokojisenke—provide instruction in the Way of Tea to students around the world. Learn more.

The term for puppetry, wayang, comes from the Indonesian word for shadow bayang. Wayang kulit, shadow puppetry using figures made from water buffalo hide, is considered to be the oldest freestanding puppet form; the earliest references to it date from the 800s.

Asian Art Museum Storyteller Miriam Mills tells an excerpt from the Ramayana in the Southeast Asian galleries at the Asian Art Museum with the use of artworks from the museum’s collection.

Artist Joanna Swan discusses India and her work during the during the PechaKucha Night at the Asian Art Museum.

Along with the more traditional jeweled sword and scabbard, this impressive gun served as a ceremonial object, held by one of Sultan Mahmud I’s attendants during state ceremonies. While the flamboyant decoration of the gun lent itself to public spectacle, the experience of extracting its treasures from the gun’s stock is a more personal act. This video reveals the various components of this ornate gun. View this gun in the exhibition, Pearls on a String: Artists, Patrons, and Poets at the Great Islamic Courts (on view at the Asian Art Museum from Feb. 26 to May 8, 2016).

The annual Bell-Ringing Ceremony follows the Japanese custom in which the end-of-the-year bell (joya no kane) is struck 108 times before midnight on New Year’s Eve, symbolically welcoming the New Year and curbing the 108 mortal desires (bonno), which according to Buddhist belief torment humankind.

The interdisciplinary performance features artists Tatsu Aoki, Kioko Aoki, Francis Wong, Megan Lee, Wesley Hitomo Yee and Melody Takata, as well as master artists Chizuru Kineya and Michikaoru Hanayagi.