Resources

Festivities of the Twelve Months, approx. 1700-1800. Japan. Handscroll; ink and colors on paper. The Avery Brundage Collection, B86D19.

Festival of Sumiyoshi Shrine, one of a pair, 1650–1700. Six panel folding screen; ink, colors and gold on paper. Transfer from the Fine Arts Museums of San Francisco, Gift of Mrs. Herbert Fleishacker, B69D58.

Create your own kimono doll finger puppet using this template.

In all lacquer objects, regardless of when they were produced, a resinous sap coating preserves the core material and allows for decoration. The material for lacquering is extracted from lacquer trees (Toxicodendron vernicifluum; formerly Rhus verniciflua), which is the same genus as poison oak. Learn more in this award winning documentary on Japanese lacquer.

This scene illustrates an episode from the chapter, “The End of the Life of Kiso Yoshinaka,” in The Tale of the Heike, a thirteenth-century recounting of the wars between two powerful clans, the Heike and the Genji (also called the Taira and the Minamoto). By the time this painting was made, important episodes from The Tale of the Heike such as this one were widely familiar and had become popular subjects for paintings.

Mari L’Esperance reads a poem she wrote in response to seven paintings by Fuyuko Matsui in the exhibition Phantoms of Asia: Contemporary Awakens the Past (on view at the Asian Art Museum from May 18–September 2, 2012). This presentation was part of MATCHA. Co-presented by Litquake.

Kabuki was one of the three most popular dramatic forms of Japan, the other two being Noh drama and puppet theater (bunraku).

Andrea Horbinski of the UC Berkeley History–Social Science Project, gives a talk to teachers at the Japan Teacher Institute at the Asian Art Museum on Japanese history, folktales, anime, and more.

Shodo Harada Roshi, the abbot of Sogenji, a 17th century monastery in Okayama in Japan and international teacher of Rinzai Zen Buddhism, demonstrates his large scale calligraphy works.

Over the centuries, two main branches of Buddhism emerged: a transmission that traveled to Southeast Asia, and a transmission that evolved in East Asia. A further offshoot of the northern transmission also developed. All three branches began in India, and developed further as they moved across Asia.