Artwork
Zhoong Kui (the demon queller) on a donkey, 1941
Zhoong Kui (the demon queller) on a donkey, 1941, Pu Ru (1896-1963). China. Hanging scroll; ink and colors on paper. Acquisition made possible by John W. and Christine C. Barr, B82D2.
Artwork
Zhoong Kui (the demon queller) on a donkey, 1941, Pu Ru (1896-1963). China. Hanging scroll; ink and colors on paper. Acquisition made possible by John W. and Christine C. Barr, B82D2.
Background Information
A host may spend weeks planning for a tea gathering, including making decisions about which group of utensils to use. The assemblage of objects will reflect the season, complement and contrast with each other, and, ideally, create a theme or context that the host and guest will explore together during the course of the tea gathering. Learn more.
Background Information
Woodblock printmaking was a complex process involving the collaboration of several people: publisher, artist, carver, and printer.
Background Information
The traditions—Omotesenke, Urasenke, and Mushanokojisenke—provide instruction in the Way of Tea to students around the world. Learn more.
Background Information
Vocabulary associated with the arts of the samurai.
Background Information
The term for puppetry, wayang, comes from the Indonesian word for shadow bayang. Wayang kulit, shadow puppetry using figures made from water buffalo hide, is considered to be the oldest freestanding puppet form; the earliest references to it date from the 800s.
Background Information
As it pertains to China, the designation “Bronze Age” refers to the period beginning around 2000 to 1750 BCE and continuing until around 500 BCE. What were the primary uses for bronze during China’s early Bronze Age? How did the use of bronze in China differ from that of other cultures? What has been learned about early Chinese culture by studying bronzes and other Bronze Age archeological materials?
Video
Inspired by the British Museum’s video Hajj Stories, staff at the Asian Art Museum asked Bay Area Muslims who have performed the hajj to share experiences of their journeys.
Video
Artist Joanna Swan discusses India and her work during the during the PechaKucha Night at the Asian Art Museum.