South Asia

Monica Desai tells a story about Narasimha, an incarnation of the Hindu deity Vishnu.

Asian Art Museum Storyteller Leta Bushyhead tells a scene from from the Rama epic (Ramayana) with the use of artworks in the museum’s collection.

An introduction to the Rama epic produced for the Asian Art Museum by filmmaker and cultural historian Benoy K. Behl, featuring performances from across South and Southeast Asia.

Asian Art Museum Storyteller Asha Bajaj tells a Hindu story about a witty princess who outsmarted Death.

Use animal templates to make a mix and match game where you create new mythical creatures.

Over the centuries, two main branches of Buddhism emerged: a transmission that traveled to Southeast Asia, and a transmission that evolved in East Asia. A further offshoot of the northern transmission also developed. All three branches began in India, and developed further as they moved across Asia.

Students will: 1.) examine the Hindu tradition of threshold art; 2.) discuss how Indian values are expressed in the ephemeral art of threshold painting; 3.) draw traditional connect-the-dots threshold art designs; 4.) make colored rice flour and create an auspicious floor painting

Jatayus, the heroic king of the vultures, attempts to prevent Ravana from abducting Sita, from the Ramayana (Story of Rama), approx. 400–500. India; probably Uttar Pradesh state. Terra-cotta. Gift of the Connoisseurs’ Council, 1988.40.

The main figure in this stone sculpture from the 900s shows many characteristic features of images of the Buddha. Here we see elements that tell us we’re in the presence of the Buddha as he was on the threshold of achieving enlightenment. Above his head are branches of heart-shaped leaves. They indicate the sacred bodhi tree, under which he is said to have attained enlightenment some 2,500 years ago.

Asian Art Museum Storyteller Miriam Mills tells an excerpt from the Ramayana in the Southeast Asian galleries at the Asian Art Museum with the use of artworks from the museum’s collection.