Artwork
Incense Container with design of plovers, 1500–1600. Japan. Muromachi period (1392–1573). Lacquered wood and sea shell. Gift by transfer from the Fine Arts Museums of San Francisco, B85M14.
Artwork
Fresh water jar in the form of a wooden bucket, 1625–1635. Made in China for Japanese patrons. Porcelain with underglaze blue. Asian Art Museum, Gift of Roy Leventritt, B69P95L.
Artwork
Flowers and Birds of the Twelve Months, one of a pair (1703), by Yamamoto Soken (1683-1706). Japan. Six panel folding screen; Ink and colors on silk. The Avery Brundage Collection, B60D82+.1.
Background Information
The Kano school, established by Kano Masanobu (1434–1530), primarily served the samurai class. Their bold designs of powerful animals and symbolic plants and trees, blending aspects of native Japanese with Chinese styles, were the perfect decoration for screens and sliding doors in the large official audience halls in samurai residences. Learn more.
Artwork
Fire procession costume, approx. 1700–1900. Japan. Silk, linen, and arrowroot (kuzu). The Avery Brundage Collection, 1991.137.
Artwork
Festivities of the Twelve Months, approx. 1700-1800. Japan. Handscroll; ink and colors on paper. The Avery Brundage Collection, B86D19.
Artwork
Festival of Sumiyoshi Shrine, one of a pair, 1650–1700. Six panel folding screen; ink, colors and gold on paper. Transfer from the Fine Arts Museums of San Francisco, Gift of Mrs. Herbert Fleishacker, B69D58.
Artwork
Female Shinto spirit, Heian period (794–1185) or Kamakura period (1185–1333), approx. 1100–1200. Japan. Wood with traces of pigment. Transfer from the Fine Arts Museums of San Francisco, Gift of Mrs. Herbert Fleishacker, B69S36.
Artwork
Fan-shaped box with the Eight Views of Omi (Lake Biwa), Meiji period (1868-1912)-Taisho period (1912-1926). Japan. Lacquered wood with makie (sprinkled metallic powder) decoration; silver. The Avery Brundage Collection, B60M255. Photograph © Asian Art Museum of San Francisco.
Lesson
Students explore the unique geogrraphical features through visual analysis of works of art. Then, they infer how these characteristics affected Japan’s culture and relationships with the mainland.
