Southeast Asia

Watch Pak Wayan Sira carve a mask at his home in Gianyar, Bali. The Bali: Art, Ritual Performance exhibition is on view at the Asian Art Museum from February 25–September 11, 2011.

Regarded as one of the fastest guitarist in Indonesia, I Wayan Balawan appears in a special concert performing his signature blend of traditional Balinese music with jazz. Well-known for his ability to play a double-neck guitar and his development of the touch-tapping technique, Balawan has released three albums and tours all over the world.

This video features examples of different types of Balinese dance, costumes, and music. Bali: Art, Ritual Performance was on view at the Asian Art Museum from February 25–September 11, 2011.

Observe the time, love and labor that goes into the costumes and makeup required in one of the most important traditional Balinese dances, the condong (“divine nymph”). See examples of other Balinese customary ritual clothing and learn how to outfit yourself in a sarong and sash. Dancers will perform a segment of the majestic condong in their full regalia.

Associate Curator of Southeast Asian Art, Natasha Reichle, trains the Asian Art Museum docents on the upcoming Bali: Art, Ritual, Performance exhibition on view at the Asian Art Museum from February 25-September 11, 2011.

Asian Art Museum Storyteller Amit Pendyal tells a scene from the Rama epic (Ramayana) with the use of artworks in the museum’s collection. Discover more fresh takes on this ageless tale in the exhibition, The Rama Epic: Hero, Heroine, Ally, Foe.

Paul Hoover reads a poem he wrote in response to the works “Anonymity,” 2008-2011 (eight from a series of nine light boxes) by Poklong Anading and Chinese bronze mirrors (from the Asian Art Museum’s collection). These works are on view as part of the exhibition Phantoms of Asia: Contemporary Awakens the Past (on view at the Asian Art Museum from May 18–September 2, 2012). This presentation was part of MATCHA. Co-presented with Litquake.

Learn about how people in Bali approach the story of Rama and see how to facilitate different forms of Balinese kecak with Gamelan Sekar Jaya and teachers at the Asian Art Museum.

In his most recent work, Indonesian artist Jompet Kuswidananto explores political and cultural identity, particularly around the people and history of Java. Informed by theories drawn from the field of cultural studies, he connects local history to global movements with a focus on the fragility of changing identities.

Members of the Bay Area Filipino community discuss the importance of collecting Philippine art at the Asian Art Museum.